A look at the Sega Saturn from the perspective of a Sega fan

I got my Sega Genesis for my 12th birthday in 1994. I instantly fell in love with that thing. The first game I played was the amazing Sonic the Hedgehog 2 that came bundled with my soon-to-be favorite game console for several years. Prior to getting a Genesis I couldn’t really say I was a fanboy or even just a fan of any platform. I had an NES, and before that we had an Atari. Before that I did all my gaming at the arcade.

As someone who was a HUGE fan of video arcades and arcade games the Genesis was a blast. By the time the Sega CD and 32X came along I was seriously contemplating buying either or both of those upgrades to gladly keep my Genesis alive. But things started to really turn around the closer the Saturn came to launching. The hype began building up. I starting to really consider saving all of my after school money I was earning from throwing newspapers, mowing lawns, and working in the corn fields on the side.

At the time, what drew me to the prospect of wanting to get a Sega Saturn was a combination of my love for the Genesis, arcade games, and the transition to the new world of 3D gaming. As the 90’s dragged on a few things started to become apparent to me early on. First thing I noticed about the Saturn was the lack of games. Remember when you are a kid flipping threw the gaming magazines all you have to go on is the information they offer. I didn’t have any way of knowing what games were coming out unless Electronic Gaming Monthly, Game Pro, or Sega Visions told me about it. Considering Sega Visions ceased following the launch of the Saturn, I didn’t really have much faith in the new product early on. I can’t say I “knew” it was going to fail. Far from it, I wanted one but I wasn’t sold to the point of I have to have one.

Whenever I would read a review of a Saturn game and the reviewers would point out how the game felt rushed, incomplete, buggy, or some other similar phrasing, I started to get skeptical. I distinctly remember reading a review for Virtua Fighter where the reviewer flat out said skip the Saturn and stick to the much cheaper 32X version. I also remember reading a really lousy review for the Saturn version of Mortal Kombat II, a game that was running smooth on the Super NES! I felt like if the Saturn can’t even handle a game both 16 bit consoles did okay, not to mention the 32X version was a huge selling point on making me want a 32X, I started to get a bad feeling about Saturn. That’s not to say it didn’t have games I wanted to play, just not very many must have games were jumping out at me.

The few games I was interested in, Bug!, Clockwork Knight, Panzer Dragoon, Virtua Cop and Sonic 3D Blast, all looked like they weren’t really showing off the true potential for what the Saturn was promising to do. At the time as I kept reading reviews of mediocre games, articles on how poorly the Saturn was selling, and the more I would see game after game getting announced for the new Sony Playstation and with no Saturn version planned, the more I started to lose interest. By the time the N64 finally started to make waves I had all but moved on from the Saturn. I wouldn’t give it another thought until the day my friend showed me his brand new Dreamcast. My reaction was, oh, when did they kill of the Saturn? I honestly stopped paying attention. As a self-proclaimed Sega fan this bothered me. I was saddened that the Dreamcast was already out and pushing the Saturn into obscurity. I also felt bad that I had missed my chance to get in on Saturn when it was still current tech. Then the more I looked into it, the more I realized, I wasn’t missing out on much.

I realize that over the years the prevailing attitude of the majority of sheeple on the web has shifted from thinking the Saturn was a mess of a console, to the Saturn was an overrated piece of junk to now it being considered a hidden gem or an underrated masterpiece. Whatever your attitude is, keep in mind this is a reflection from the perspective of someone whose whole life revolved around the Genesis.

At the time, as in during it’s life span I went through many phases. The first phase was excitement for a new console from Sega. This phase didn’t last long. I was already torn between wanting to get a 32X to give my Genesis new life, to wanting to save up money for a Saturn when it arrived. I even remember reading about the E3 thing, a whole month later in a magazine, thinking, what just happened?

I had been following the PSX and Saturn launch hype for months so I was shocked to learn Sega blew their wad and was now seeing all their hype fizzle. I maintained some hype for while, thinking erroneously Sony wouldn’t last. My logic was Playstation was too similar to the doomed 3DO. I ended up being wrong but more on that down the way.

My attitude started shifting as I started reading reviews. I kept holding out hope with each review that maybe the next game would prove to be worth owning. I would demo some of these games at local stores from time to time, so I wasn’t relying entirely on other people’s impressions. Still, the reviews were not doing the system many favors. There were a few hidden gems along the way but at the time I kept thinking this is not a good score. At first I thought everyone was judging the console unfairly. But looking back I think the opposite, I think they were being too soft because they didn’t want to accept Sega was messing up so bad.

When I realized the Saturn was in trouble was about the time I read a review, or even a preview, for the game Virtua Fighter Kids. My 13-year-old brain thought, wow, that’s a stupid idea for a game. Even then I felt like the system must be in trouble if they are resorting to such an obvious cash grab knowing full well it was just a cheap way to get another game on stores shelves in a big hurry for minimal effort. I knew that if this was the case the system was in trouble. All it really took was flipping through the magazine past thew 2-3 pages of Saturn games before stumbling upon the 8 or more pages of Playstation games to start to realize, Sony was getting all the love. Remember N64 wouldn’t be on the scene for a whole year later and even as I started reading articles on the upcoming Ultra 64 I started to get worried the Saturn was in trouble. By the time the N64 came out I had already forgotten about the 32 bit consoles and was already buying into the 64 bit hype train. I ended up dropping the money to get an N64 on launch day.

Looking back the most obviously issue with Saturn was the games. A few years later after I had grown up, gotten a job and began collecting video games as a hobby I went back and dug into the Saturn library. Unfortunately the passage of time was not a friend of the console. The games that would have blown me away in 1995/1996 had I gotten a chance to experience them then, were severely outdated in 2004 when I was buying them up. I didn’t go after any of the super rare or ultra expensive games, but I had a decent enough assortment when it was all said and done. In the end my Saturn collection consisted of X-Men Children of the Atom, Sonic 3D Blast, Virtua Fighter 2, Fighting Vipers, Sonic 2, Virtua Cop 1 and 2, NiGHTS into Dreams, Bug!, Clockwork Knight, Panzer Dragoon, Revolution X, Daytona USA, World Series Baseball, Mortal Kombat 3, Gex, even Tomb Raider. I might have had a couple other games but honestly nothing stood out in my mind as particularly noteworthy. I felt NiGHTS was so overrated I became very hostile to the Sega bots online that insisted I was playing it wrong. No, the game just didn’t appeal to me, at all. The fighting games were mediocre at best, the X-Men game was fun but not worth the asking price. Panzer Dragoon felt too bloated for what was basically a Star Fox type game which I wasn’t a big fan of Star Fox either. While I did enjoy Virtua Cop 1 and 2, and even as bad as it was to some people, I really had a lot of fun playing Bug! and Sonic 3D Blast. The rest of the games were just, eh nothing special.

I since went back and checked out much more of the consoles library via emulation. However that’s shoddy at best. The real trouble with Saturn collecting is all the expensive games aren’t worth the price you pay. Even if a game was on both PS1 and Saturn it could go for 3-4 times as much money on Saturn than PS1, and for all intents and purposes they’d be basically the same game. I grew so disgusted with Saturn collecting it was the first system I sold off. I traded it into a used retro game store for a big box of GameCube games and never regretted it.

I think the Saturn did have potential, but the truth is, I think most of that potential was too little, too late. Sega squandered all of their good will with Genesis fans before they even launched the Saturn. As the months turned to years I started to lose interest in the system. Today, even if I had the money I probably wouldn’t buy very many Saturn games. The console is, in my opinion, vastly overrated. It’s good for a few quick arcade ports and it has a handful of great hidden gems if you got the money to seek them out. The majority if the library, however, is available elsewhere for far less money. The handful of true exclusives aren’t even all worth the price of admission making Saturn truly a collector’s console.

Contemplating the Netflix purchase of comic book imprint Millarworld

The Spiders Lair is not a news site first and foremost. Obviously nobody is learning about this news by coming here. Still this is big enough I wanted to get something down before the dust settles.

According to reports Netflix is purchasing an indie comics company called Millarworld. Apparently it’s the publishing house that does Kick-Ass and Kingsmen, among other comics I never heard of. At first that sounds like a pretty big deal. Especially when you take into account their current deals with Marvel. Netflix could soon become the premiere streaming service for quality, comic book content.

Of course the only two comics they make I know about are the very two not included in the purchase. What does this mean in the grand scheme of things? On the surface, very little. Netflix has never out right purchased another company before. By picking up a comic book imprint the idea sounds good. If they can develop enough titles into quality movies and shows for their service, combined with the already fantastic Marvel shows they have, other publishers could come on board. I think the far reaching implication would be for more indie developers to bring their titles to Netflix for production. This could mean we could start seeing shows based on comics that aren’t as mainstream as Marvel and DC without having to go through the Hollywood studios. This could be a game changer depending on how things work out.

Imagine as more comic book fans start to discover all the good shows and movies they want to watch are coming to Netflix. This could snowball where all the content creators scramble to get their indie comic characters turned into a Netflix series. I would LOVE to see a Gen 13 show or even a revived Buffy with a new lead. Oh, I guess if they wanted to they could go the animated route too. I just wish they would use their licensing deals to pick up a few more classic animated comics based shows like the original TMNT cartoon or even some X-Men the Animated series. When I first discovered Netflix they had a ton of those types of shows. Now they have a few here and there. I don’t think the quality has declined much. I just don’t think they need to abandon old shows entirely to make room for new content. I would prefer they found a better balance between the two.

AS of right now this is more akin to when Hasbro bought the rights to Atari back in the 90’s. They are getting some new properties but are they really going to have the impact Netflix desires? A real game changing deal would have been if they picked up Image, Malibu, or even Dreamwave, at least then you are getting a solid blend of well known and indie comics. Here you are basically getting 4th tier comics from a very small specialty publisher. Not a bad deal, it’s still new content but seriously if you have to Google what their titles are it’s not like they are making waves. I mean I read comics, I go to Free Comic Book Day. And I wasn’t that familiar with this company. I loved Kingsmen and Kick-Ass but since those two aren’t a part of this deal I am not even sure how much of an impact this will truly make. All in all I will just take a wait and see approach. Since I haven’t really even been paying attention to Netflix in quite a while I am certain this won’t really affect me all that much anyways.

What if… retrospective: The TurboGrafx-16

The TurboGrafx-16 (TG16) is quite an oddity. Much like the doomed Sega Dreamcast nearly a full decade later, this game machine would be plagued as a mid-generation release that failed to catch on. Much speculation has been banded about on the internet on why it failed. Discussion forums are littered with topics discussing what could have been done differently. In this retrospective I will take a look at a few factors that are often overlooked in why this machine failed. First, I am mostly talking about within the context of the North American (mostly United States) market. While it is true the system performed better in Japan than it did in the US, and there is some doubt if it even existed in Canada at all, it still can be deemed a failure world wide by every measure. In fact, it didn’t even make it to the PAL region. Let’s dig in.

Usually two topics get brought up first when discussing the TG16. The first is Nintendo’s illegal exclusivity contracts in North America that would prevent third party companies from releasing games on the system. Often fans of the system will state that if it had better 3rd party support it would have sold more systems. While it is typically pretty obvious more games makes for a more attractive market, it’s not always the case. But let’s not get ahead of ourselves. Hudson could have found a way around this by vetting developers and publishers who weren’t even making games for the NES at the time. So that argument holds little weight, Sega was able to get plenty of support for the Sega Master System (SMS) and they sold quite a few more consoles and games than TG16, all on inferior hardware.

So first let’s look at the games that did come to the system. Despite most of what die hard fans will tell you, there are a few false statements often repeated about the TG16 library. The first is that the console had a great library of arcade style scrolling shooters, also known as shoot-em-up’s or shumps to some. The fact is, however, the NES, SNES and even Sega Genesis ALL had more shooters released for their consoles than TG16. The myth it is a shooters dream console is false. The reason this myth is spread has some merit. There is a significant percentage of games for the console that are, in fact, quality shooters. The problem is, there are only 94 games total for the console. So that means the fewer than 21 total shooters on the console stand out as the dominant genre by default. If roughly one forth of your consoles entire library is made up of a single genre, it stands to reason people will gravitate to that genre. No arguments there, the shooters on the console are all quality titles. Of course many fans today are looking at the ENTIRE library as a whole. They forget that for the super vast majority of gamers in the 1980’s when the console was sold people didn’t import as much as they do today. So when you add in all the PC Engine games to the list, especially when you take into account people playing these games using emulators, you start to see a skewing of the facts.

The thing is, it doesn’t matter how many arcade games were released in Japan at the time. When discussing why the console failed it is essential to do so within the scope of the time it was released. In this case it was 1987. This is important because those 94 games that made it to US shores, weren’t all available the first year. Keep in mind you have to look at it on a month to month basis. As a consumer in the late 1980’s even if you were contemplating getting a TG16. Either you were getting tired of the NES, or perhaps you never had the NES and were wanting to upgrade from your Colecovision console or something else. Maybe you were a PC person looking for a new console. Whatever your motivation for wanting one you always have to look at the games first. Everyone talks about how abysmal Keith Courage was as a pack in title. The problem is if you look at the console market at the time, pack in titles were relatively new concept. It really started with Super Mario Bros. on the NES. So when you talk about game consoles you can’t really put too much weight into what pack in title was included. Remember even today pack ins are rare and they were a BRAND NEW concept in the mid-80’s. It’s a fallacy to believe just packing in a different game would have enticed more users. Why? Because if the games that were sold separately weren’t going to convince you to buy the system, throwing on into the box for free wasn’t going to make a difference either. With pack in titles it’s always a gamble. Even when it works like with Wii Sports or SMB, or even Sonic the Hedgehog, it’s still a big risk when the publisher is missing out on all those extra sales. It’s at best a gimmick marketing tactic that is rarely used in the grand scheme of things.

Still, since it gets tossed out let’s debunk the myth anyways. My question is, if not Keith Courage then what? It couldn’t be an arcade shooter. Remember 2 facts, first at the time it was a NEW console so gamers wouldn’t be able to predict it would become a haven for shooters. 2nd, despite being popular among retro enthusiasts, even at the time shmups are NOT that popular. No console in the history of consoles ever packed in a shooter even if they did pack in a freebie. The reason is shooters have a low appeal. Even the best quality shooters only appeal to maybe a tenth of a consoles entire userbase. That is why they are so rare. Even to this day the number of shooters released is small and the ones that do get released are done in very limited runs. Newsflash, that was the SAME back then, why do you think all those so-called “gems” are so damn hard to find? Because, NOBODY BOUGHT THEM. They didn’t sell. There is no chance in HELL a shooter was going to sell the main stream gaming audiences on an untested console. Even the often cited spectacular R-Type, wasn’t exclusive to the console. Sure the NES port has issues, but honestly you are talking a small percentage of your gamers that even want a shooter, even smaller sub-set of those that care about a superior port elsewhere. That’s why when a shooter does become popular it’s some low budget throwaway title in the bargain bin. Gamer’s don’t spend money on them, only collectors do and only in hind sight because they are told to more often than not. Even me, someone who does occasionally enjoy the shooter game, wouldn’t rush out and buy a console even for the most perfect shooter. They are fun, in small doses but they are usually very remnants of older arcades.

Okay if not a shooter then what? The next game often cited is Bonk’s Adventure. That WAS a pack in just as soon as they game was released. But even that didn’t really move units. Again for as much fun as Bonk is, it’s only half as much fun as Sonic, which itself is probably half the fun of Mario. By order of transference Bonk’s Adventure wasn’t a great enough of a game to really convince people to give up their Mario machines. Sonic came close but it took a lot more than one game to get Sega on the map.

I try to be reasonable. I looked at the entire library and to be honest I could not find a single game that stood out as good enough to convince me to pick up a TG16 over an NES. Now I know it comes down to preferences, and I am NOT trashing the console just examining what if scenarios.

So what if it had a BETTER pack in comes down to, no real impact. I can’t imagine Hudson having it in them to imagine a game that would have that appeal. Some would argue Bomberman. I would reply, even the best Bomberman games didn’t help the Saturn, N64, Dreamcast or Gamecubes so sorry nope. Unfortunately there isn’t a single, stand out game on the console.

That takes us back to the first point, Nintendo’s illegal strangle hold on the market. It is well documented Nintendo forced publishers to sign contracts disallowing them from making games on competing consoles. Even if you tried to argue TG16 wasn’t an 8-bit system so it technically wasn’t competing, that wouldn’t pass mustard because Hudson referenced NES in their marketing.That leaves us to wonder then, what games could have potentially been developed on the console that weren’t.

Even if you take the 3rd party deal out of the picture and pretend the Turbo could get any old developer to make games for it. Remember the NES launched with barely 18 games. Now it had a POWERHOUSE launch combo with SMB/Duck Hunt that TG16 didn’t even have in its entire lifespan. So you get ONE shot to entice gamers to pick your machine over theirs. It took Nintendo 2 full years to get the 3rd party support we remember. If TG16 launched in 1987 that means it wouldn’t even begin getting the same level of games as NES until around 1989. That would be a full year into Genesis’s life and the Genesis could be cited as more of the death of the TG16 than anything else. Despite all the flaws of the SMS and the shortcomings of the TG16. Sega DID manage to get a quality launch period stash of games on the market. While Altered Beast is not fondly remembered today, when it released it was somewhat impressive. The scrolling levels, the large sprites, the transition animations, the cut scenes, and the compressed audio voices were all very big deals in 1989. So even if you look at the top tier NES games, let’s assume Castlevania, Mega Man, Contra, Ninja Gaiden and maybe even Double Dragon all have quality ports on Turbo by the time Sega launches. Fair enough, however some of those games did get ports on other consoles, and there is a Castlevania on the doomed Turbo CD (but that’s an entirely different story.) You have to keep in mind 1, how long it takes to port a game over, and 2 the cost to do so. Most 3rd parties wouldn’t have jumped ship to support an untested console when NES was doing so well so let’s just assume it still struggled. I can imagine it doing slightly better but remember NES was NOT successful because of games alone. Nintendo were masters of marketing their toys to kids at that time. So you have to look at the marketing along side the games issue.

Marketing can sink a good product and prop up a terrible product in the short term. Now for all intents and purposes, the TG16 is actually a decent product, sort of. It was more powerful than NES, but not as powerful as Genesis and SNES. Those would be the main consoles it had to compete with. Again NES would have still been replaced with SNES by 1991 even if the TG16 was successful, even more so because Nintendo would have felt threatened. So let’s look at just marketing. TG16 was ONLY sold in very big cities with populations over 1 million people. This is well documented. It was also ONLY marketed in the major cities where it was sold. This left consumers like me in the middle of no where Kansas reading about it in comic books and magazines sold nation wide, but I was not able to just walk into my local Sears, Radio Shack or K-Mart and pick one up. If I can’t find it how can I buy it? And you know what, I can say this with some degree of certainty because despite the flawed marketing strategy overall, it sorta worked because I DID want one. Even if it had a “killer app” pack in I still couldn’t have gotten my hands on one without great effort.

The 1-2 punch of lack of 3rd party support and terrible marketing is often given as the reason for it’s downfall. Now let’s go back to games and see if maybe Hudson could have done more even within the framework of Nintendo’s monopoly. Going back to the question of which game would have been a better pack in. When I look at why gamers wish for more games on the beloved TG16 I often remember its because they see the potential and wish it would have been realized. So let’s just assume they marketed it better, maybe localized a better Japanese games for the launch and it sold enough to at least get attention of developers that weren’t locked into contracts with Nintendo. Who does that leave?

The obvious choice is Atari first. Why them? Simple, they were willing to release games through their Tengen label on the NES. It stands to reason they would have seen dollar signs on TG16 if they saw an opportunity to get superior ports of their games on a competitors console. Why didn’t this happen? It’s often stated, obviously, because they were still marketing the 7800 at that time. False. You see Atari split into two companies following Time Warner selling them off. Tengen was a branch of the arcade division, the company that made Gauntlet and NARC, among others. The company that owned the rights to the Atari arcade catalog, the ones publishing under the Tengen brand, wouldn’t care about the 7800 at all, that was the home computer branch which would go on to release the Jaguar before dying. The arcade division would go through a few different sellers. This is important because while true Tengen did release games for the Sega Genesis, they did so as authorized 3rd party licensees unlike with Nintendo where they did so technically illegally.

Then why couldn’t they release games for TG16? Okay, the reason was business. Again by the time the TG16 released it was already doing poorly. Those Tengen games didn’t even come to the NES until the time when Hudson was scrambling to get their console into homes. Atari Games would have looked at the TG16 and seen it was doing poorly and considered it too risky to put games out for it. Hudson recognized the need for those games so they did license some themselves as Sega was doing with SMS, but it was too little effort as it just spread them too thin. Then why did they make games for Sega? Simple, whereas the TurboGrafix launched to abysmal sales in the US, the Genesis took off basically overnight by comparison. It was a hot item kids wanted. The marketing was perfect, the games were fantastic, the console looked futuristic by comparison. I am not saying all this as a die-hard Sega fan. Remember before I discovered Sega I did want a TG16. What pushed me over the top was, of course, Sonic. That’s another story for another day.

Even if we ASSUME the marketing was better and we assume Tengen was on board because why not. That’s still barely what, 20 or so games they released for the NES? Even if they ported every single one to the TG16, would it have really made that much of a difference? I mean okay, is Gauntlet or Alien Syndrome really going to get you to buy a system that Splatter House or Bonk’s Adventure didn’t already sell you on? Even if you add the ENTIRE Tengen (Atari Games) library, and you throw in a few NEW arcade ports here and there, we’re talking about not 2nd tier, not 3rd tier, Atari was making 4th and 5th tier games at this point. Sure that’s about on par with the slop Hudson was dumping onto the TG16, a few hidden gems aside. Looking at it this way, I still can’t see the TG16 doing much better. But, let’s keep going. Which developers weren’t locked into contracts with Nintendo at this time? Well I am not going to bring up the unlicensed NES crap games that sell for tons of money, because they all sucked and were only on the system as shovel ware because it sold so well. A dying console doesn’t get shovel ware unless the 1st party developer is making it themselves.

We could look to the PC scene. If you remember the NES did get a ton of Commodore 64, Apple II and PC DOS games ported to it. The problem is they came later in the life when it was more affordable to do so. Still let’s examine this as a potential for games. Remember I am assuming no NEW games were going to magically get made. Developers only have so much inspiration and I can’t believe for 1 second that just because they were making a game for the TG16 instead of Apple or Amiga they would miraculously be inspired. That is not how art works. That leaves companies like EA, Epyx, Sierra Online, LucasArts and SSI. All of these companies mostly avoided the NES until t was firmly established as a must own console everyone needed to get their game on. Each of these developers shined on the PC at the time. Here is why I find it unlikely you would have gotten them to port games over to TG16 (not talking Turbo CD here that’s whole other article.) These companies were large publishing houses, but they didn’t develop games for the most part. Lucas being the major exception. So what you have is a case where developers might have wanted to tinker with the guts of the PC Engine as it was known in Japan, their publishers would have said no. I have been talking within the framework of the launch window to the release of the Genesis and SNES. In order to assume the TG16 would have been more successful over all it would have had to be more so out the gate. If you consider that then which game developers making powerful graphic adventure games that use up tons of memory are going to release their games on tiny HuCards? Keep in mind even with the CD add on these companies largely ignored ignored the platform entirely. The reason it took later for them to get games on the NES was because it took that long for Nintendo to develop larger carts. Remember Legend of Zelda was originally released in Japan as a floppy disk game, something you could do with a computer but not a console. The floppy drive was not sold in NA, therefore Nintendo had to find a way to squeeze the game onto a cart. The solution was larger carts that could hold more data.

Even if you scour the entire library of games that were released for Commodore, arcades, PC, DOS, Apple, etc., that didn’t get ports to NES, it’s remained unlikely many of them, if any, would have been ported to the TG16 anyways. At most I figured maybe 30-40 games would have been released over the 94 that were, again maybe half of those in the time span it would have made a difference. By going through all the variables I discovered there was just nothing Hudson and their partners could have done to make it a success in the States. The deck was stacked against them from the start. Even if that mysterious pack in game that doesn’t exist was available, and the console was sold at every toy and department store in America, the things Hudson could control, they couldn’t force developers to make games for their console and even if they could, consumers still might have passed up on it. No matter how you examine it I truly believe the TG16 was always doomed to fail. Remember Genesis was right around the corner, SNES right behind that and before long you had so many games and consoles on the market the TG16 was always going to get lost in the shuffle. At best you might have gotten a dozen or so ports of games from Tengen and a few high profile PC ports that didn’t require large amounts of storage space. Even with all things in Hudson’s favor the system was doomed from the start. In a way it’s a shame because the console really isn’t half bad. If it wasn’t so expensive due to how rare it is, I might be temped to pick one up one of these days. As it is the machine is forgotten by the same people that mostly didn’t even know it existed. The library is ripe to be discovered through modern means, however, so there are still good games worth looking into these days. As I tried to think of any scenario, aside from Nintendo going out of business, there wasn’t anything that would have made it the success it’s die hard fans often wish for.

My comic book memories: X-Men

A couple of days ago I went onto Amazon to purchase some Dawn comics. For those that don’t know Dawn is a character created by Joseph Michael Linsner in the late 1980’s. I discovered Dawn in my early pre-teen years when I was just starting to really get into comic books. Before I could commit to buying any more issues or trade paperbacks I had to dig out my comic vault to see what I had to make sure I wasn’t buying something I already bought previously. I started going through my X-Men graphic novels and TPB’s and realized I didn’t have all of the ones I thought I did. I also confirmed I didn’t have any of the Dawn TPB’s so I was good to order them on Amazon.

How I got into X-Men is a little more interesting than how I discovered Dawn. I always preferred comics with more of a mythology feel or fantasy/swords and sorcery stuff. I enjoyed Conan, and the D&D comics especially. That is how I found myself getting into X-Men. My first experience with Marvel’s famous mutants was not even through comic books. Since I was mostly into indie comics, horror comics, and less mainstream stuff I didn’t see a lot of advertisements for X-Men or other mainstream stuff. If I did, I ignored it or dismissed it as a bunch of spandex wearing clowns. My first exposure was walking into a video arcade and playing the 6-player behemoth X-Men arcade machine. I had no clue who these characters were. Since I discovered TMNT through an arcade game I decided to check out X-Men since I really loved the Ninja Turtles at that time. Turns out the Ninja Turtles were mutants, and the X-Men were also mutants so I thought cool I can get into this. Even if I didn’t really know what a ‘mutant’ was at that time.

I didn’t really pick up any X-Men comics right away though. Instead my next exposure came from renting the abysmal NES game. Now I had rented my share of terrible games on the NES but this was by far one of my least favorite. I couldn’t believe this was how they ported that awesome 6-player game to the NES. I didn’t discover until years later the weren’t even connected outside of the name.

From here I was in 3rd grade and I had a teacher that new I was into reading fantasy and science fiction stuff so she lent me a few of her issues of X-Men comics. They were all mostly current stuff from the late 80’s. Nothing special but I had no idea what was even going on. They were about 3 unconnected issues that had totally different characters in each one. The only character that I recognized from the video game was the guy in the yellow and brown jump suit with the claws. My first impression was I hated that guy. I learned his name was Wolverine and I thought, what a stupid name. His power is he has claws, yawn. Oh he has unbreakable claws, so what.

I didn’t give X-Men another serious thought until the animated series came on Fox a couple of years later. I watched a few episodes and it was entertaining, but I still didn’t know much about the characters, and I still couldn’t stand that blasted Wolverine who just happened to basically be the star of the show. By this time i was really heavy into the Conan the Adventurer cartoon and the new Aladdin animated series. Like I said I was more into horror and fantasy stuff than actual sci-fi. Well I saw a commercial for the Phoenix Saga mini series of X-Men cartoons coming soon. There was a Phoenix character on Conan so that connected the mutants to the mythology stuff I was more into. I was also getting really heavy into Dungeons and Dragons right about this same time.

Finally I gave the cartoon a second chance. I had seen a few random episodes here and there. While the action was always good, the characters didn’t really mean much to me as I had no connection to them. So when I started watching the Phoenix Saga and Dark Phoenix Saga unfold as a dramatic event over several weeks, I became hooked. Suddenly I picked out the characters I did care for and wanted to follow them. I immediately ran out and began buying all the Cyclops and Jean Grey stuff I could. I fell in love with that couple and wanted to get everything I could. By this time I was also getting into collecting trading cards so I had picked up a few sets of Marvel Universe series cards. There were always X-Men characters within those sets so I started reading the backs of the cards, trying to learn more about the lore of these characters. By this time I was really getting fascinated with the Cyclops character and Marvel Girl especially. I started buying X-Men trading cards, action figures, that super fantastic Sega Genesis game and it’s pretty amazing sequel, too. By the mid-1990’s I had gone from not caring or knowing much about the X-Men to being completely dedicated. Before long I was less excited for Conan and found myself looking forward to X-Men episodes even more. As the series dragged on my disdain for Wolverine continued so I quickly lost interest again as the characters I liked took a backseat to his temper-tantrums.

Then it all culminated with me picking up the Wedding of Cyclops and Phoenix issue. Seeing Scott and Jean get hitched was the perfect end to the fairy tale. The mess that was the Spider-clone saga had completely turned me away from Spidey comics by this time. I had sat through the majority of the Age of Apocalypse with intense interest and curiosity. Then just as things were starting to ‘recover’ they started they whole Onslought stuff and I finally lost interest in the comics for good. I kept paying attention to the characters through buying action figures, picking up back issues of the comics that were void of Logan as much as possible. Then they dropped the bombshell of a movie on the world. Wow, for the first time I didn’t care for the Cyclops character and was actually rooting for Logan. Part of this was the movie made Logan a much more likeable character than the whiny little bitch he was in the comics. He was still a selfish asshole in the movies sure, but not as bad as he was in the comics.

This allowed me to warm up to the character so I went back and tried to get into the Wolverine comics too. Needless to say the movies altered my perception of the characters quite a bit. Before long I was stating to lose interest in the characters and their mythos entirely. Still, every once in a while I go back and remember what it was I liked about them in the first place. At one time I was collecting everything X-Men related from New Mutants comics to Cable and Deadpool spin off stuff. Eventually the movies would start to really spend too much time focusing on Logan again, giving him solo movie after solo movie while continuing to treat my beloved Scott and Jean like second, or even third class characters.  Today I have a pretty decent X-Men comics collection I can go back to and revisit. I have all but one of the films and that’s just because I just haven’t been looking for a copy. All in all I discovered I really loved the X-Men and I am very glad I took the time to get to know them.

The Spiders Lair Podcast Episode 6

In this episode I talk about Star Wars Rogue One, the prequels and special editions, Nirvana and the 90’s grunge rock scene, the underappreciated film Ghost World, and some other stuff.

 

Dressed to Kill: A hard rock retrospective part 4

The 1990’s were, obviously, a very confusing time. With Ellen making her big announcement near the start of the decade, to the revelations of the Bill and Monica scandal, the decade was over run with sexually confusing expressions dominating the news cycle. None of them were more shocking than seeing Marilyn Manson walk out on stage at the MTV music awards in his leather speedo singing about “The Beautiful People” to the bewildered youth sitting at home wondering what to make of this new “shock rocker” taking the world by storm.

Manson was not the first shock rock band, and they certainly weren’t the last. Unlike previous bands discussed, shock rockers aren’t identified by their sound, some are glam rock, others thrasher metal, while others a mix of industrial electro rock fused with 80’s dance pop. What united them was their ability to rely on stage antics, publicity stunts, and a growing anti-establishment movement that wanted to tear down the walls of Capitalism once and for all. Let’s start at the beginning.

You Ain’t Nothing But a Hound Dog

Believe it or not, the first “shock rocker” was the King of Rock N Roll himself, Elvis Presley. Although his music and movies were very tame even by standards of the day, his stage antics lead to all sorts of controversies. All he had to do was shake his hips and stir young girls crazy. Of course the uptight mothers of those sexually aroused teen girls swooning for Mr. Presley didn’t take it laying down. They tried to have him banned from even appearing on television with the compromise being the camera had to stay above the waste.

I can’t get no satisfaction

To some the Rolling Stones are the turning point where rock n roll sheds it’s pop sound and returns to it’s urban blues roots. To others it’s just the continuation of the degradation of American culture. No matter where you stand the Stones rose to such prominence in the world of Rock music that to this day, the premiere authority on rock music is a magazine named after the band. Not quite as tame as Elvis, they certainly could fall into the camp of more shocking rock bands of the day.

School’s Out

There is no denying that shock rock as we know it today started the moment Alice Cooper stepped onto the scene. His theatrics, outrageous costumes, decidedly darker music themes, and eye shadow did more to create room for the counter-culture than any band before, or since. While their famous record, and the world-renown title track, were created by an entirely different band than who would later take on the name, the lead singer was really the star of the show anyways.

Ozzy

The Prince of darkness himself is easily one of the most recognizable early heavy metal rockers and clearly one of the pioneers of the shock rock genre. Of course he wasn’t the first to come onto the scene, he took it to dark places nobody else was willing to go. He was also well known for his theatrics, and is often mistaken for Alice Cooper, who both have similar styles in some ways. Black Sabbath and all bands inspired by are living proof that just being shock rock on the surface doesn’t mean the music itself can’t be taken seriously.

I Wanna Rock N Roll All Night

If you weren’t a member of the KISS Army you probably weren’t a hard rock fanatic in the 1970’s. It’s okay, I wasn’t even alive. What I do know about the and comes from second hand stories my mom told me, and what I learned from the classic comedy Detroit Rock City about a group of misfits on a road trip determined to see the band live in concert.

KISS is a prime example of a band whose style and image personifies the shock rock look and attitude, yet their music is so much softer and tamer than their image would have you imagine. Even in comparison to other hard rock bands of the time their music was very tame for the image they projected. Not that it was bad, they are still one of my favorite hard rock bands, but if you played a KISS song for someone and never showed them a poster or image of the band, you wouldn’t think they were shock rock at all.

They band was good at one thing even more than making music, business. They were not so much a band as they were a brand. They sold comic books, dolls, even video games, all trying to exemplify the shock rock image of children of the night. Yet somehow they managed to get away with recording a disco album and nobody even bothered to notice the irony. Hey it was a damn good song and still one of my favorites so can’t fault them for knowing how to make money.

Twisted Sister

By the time to get into the 1980’s there isn’t much left that shocks the metal world. You have already had Ozzy allegedly biting the head off a bat, or was it Alice Cooper? Yeah google how often those two get mixed up. There was the whole KISS backlash, you had Judas Priest on the scene and even a host of bands giving people reasons to label rock music as satanic or demonic. So when you see the cross-dressing Twister Sister come on the scene you think, okay, now I’ve seen it all. Now unlike KISS whose image didn’t fit their music, Twister Sister at least had a solid 80’s metal sound that blended in with the other hard rock bands of the time. The 80’s didn’t really see that many other cross dressing bands, aside from the one Boy George headlined, it still helped ease Americans into at least accepting there were people with different lifestyles, even if they didn’t accept those lifestyles quite yet.

Nine Inch Nails

To be more specific, Trent Reznor. This time he went in the opposite direction. The sound he created was infinitely harder and more shocking in many ways than the look he portrayed. On the surface he was just another heavy metal looking dude, nothing special. But his music, especially Head Like the Hole, really brought industrial music to the main stage. Maybe there are those who wouldn’t put NiN on a list of shock rockers, but he clearly paved the way for the mother of them all so he deserves a spot in this timeline.

Antichrist Superstar

Before I get too deep, Marilyn Manson is one of my favorite bands of all time. From the cover songs Sweat Dreams or Tainted Love, among many others; to their rock anthems The Beautiful People, Rock is Dead; to their darker tracks like Deformography, Worm Boy; or their WTF tracks like Kiddy Grinder, or Sh*tty Chicken Gang Bang, the band does shock rock better than any band before. Their music, style, videos, persona, and themes are a perfect storm of counter culture done right. Nothing about the band says conformity. During a time when rock bands sounded like Nirvana, Alice in Chains, or The Goo Goo Dolls, Manson was finding ways to churn the stomachs of their loyal followers, harshest critics, and even their peers, all while constantly putting out records that told stories that had to be experienced not just heard. The phrase nobody does it better always comes to mind when I think of Marilyn Manson and shock rock.

Other bands like Garbage, Godsmack, Orgy, etc., would come onto the scene and push the envelope of what was decent and acceptable with many more to follow. By the end of the 1990’s heavy metal, hard rock and rock n roll had each splintered into more than a dozen sub-genres, scenes and movements each equally important to their respective followers.

 

Dusted off the old Nintendo Wii today

As one of the few people who stood in line on launch day I can say that the Wii’s massive popularity was no surprise to me. I often look back on the console with mixed feelings. A little over a year ago I picked up two Wii’s at a flea market and haven’t done a whole lot with either of them since. Today as I was playing some Minecraft I was starting to remember how fondly I loved the good old GameCube. I was thinking to myself how much I wish I had the money to go out and buy a GameCube and pick up a copy of Harvest Moon: A Wonderful Life to go back in time and play a game I enjoyed tremendously over a decade ago.

Well turns out I had forgotten that I bought a copy of the game a while back and it suddenly hit me, I had a Wii, I had a GameCube controller and sure enough I pulled my copy of The Legend of Zelda Collector’s Disc off the shelf and inside the case was my little while GameCube memory card. I dusted off the Wii, hooked it up, configured the Wii remote, threw in my copy of Harvest Moon and what do you know my old save from all those years ago was still in tact. I loaded it up and picked up my farm life right where I left off, little baby Mark showing me his toy car while wife, Nami, was in the kitchen apparently mulling over “life on the farm.”

Harvest Moon isn’t even an exclusive to the GameCube, yet it remains one of my fondest games for it. I remember putting endless hours into this game when it was brand new. I haven’t put that many hours into a game since discovering Minecrat, which I mostly play as a Harvest Moon substitute anyways. I didn’t spend a lot of time before I booted the Wii memory manager up just to see what other game saves remained in tact. I must have cleaned house at some point as most of my favorite games were gone. Still there were plenty of saves ranging from Metroid Prime, dozens of retro collections, Smash Bros. Melee, even my Robotech Battle Cry save was still there.

It wasn’t quite the same as hooking up the quaint little purple lunch box I fell in love with over a decade and a half ago. However, there was still a little of that GameCube charm left in the dusty old Wii. I always tell people the GameCube wasn’t a failure, it was Nintendo’s BEST SELLING console of all time, when you factor in the motion controlled redesign that Nintendo slipped into people’s homes through the back door. While most people who picked up a Wii were probably getting it for Wii Sports, Wii Fit and any number of waggle-wand casual fluff, some, like myself, picked it up as a full on replacement for our beloved, underappreciated little ‘Cube that could.

I don’t currently have hardly any games for the GameCube. I do expect I will be picking up a few just for old times sake in the near future. As I look at my small game collection I see five GameCube discs on the shelf. That wouldn’t be quite so bad if I didn’t have twice as many Wii games. The real reason I haven’t bothered trying to get back into GameCube collecting is the same reason I got out of Sega Saturn collecting. The units didn’t sell well enough to reach mass market saturation. That makes the games harder to find in good condition, which makes them more expensive all the time. Still, there is a very strong possibility I might talk myself into seeking out a few choice titles here and there in the near future. I would be more than happy to trade away my dust old Wii for an actual true GameCube someday. After all, I have a Wii U which is basically a Wii with it’s backwards compatibility. In the meantime I think I am going to be spending more time digging into the handful of GameCube games I do have to see what new memories I can make as I try to reconnect with old memories.

I sometimes go back and forth between SNES and GameCube, trying to decide which is my favorite Nintendo console of all time. I don’t have anywhere close to the time, or money, to begin collecting Super NES games, so I might just have to settle for my second favorite for the time being and be okay with that. One of the reasons I do wish to own an original GameCube over just a Wii is the Game Boy Player. However, as those are also getting expensive I might pass on that for a while. Again, it’s not urgent that I acquire one since I have a Game Boy Advance and a Game Boy Color.

I miss the days when I had a GameCube with a collection of 60 or so games, a half dozen controllers and a good old Sony Trinitron CRT tube television set. For now I can get by with a Wii hooked up to my HDTV LCD TV playing GameCube games.

 

The zombie movie paradox: A look back at George A. Romero passing away

When I first started writing this blog I was still in college. During that time I was still in my phase where I had to be different just to be different. Part of that was I made it a point not to be talking about the same topics the rest of the media or internet world was talking about. I either didn’t want to be seen as needing to hurry up and get my thoughts out there first, like so many outlets appeared to be doing. At the same time, I didn’t really want to be seen as jumping on the bandwagon. So I determined my stance would typically be to take a wait and see approach to any breaking news to give myself a chance to process it, distance myself from the immediacy of it all before I made an effort to put my thoughts down. Since completing my education and leaving college to begin my career in the world of writing for the media I discovered that weather it is the local TV station or the Twitterverse, whatever is the big headline is what people are talking about. When I started working at a local newspaper that serves a small community I discovered that the words I wrote, the stories I chose to cover, the photos I took, those shaped the conversation, at least for a day, and I discovered that was part of the responsibility of the media.

Things are different with a blog. I can choose to be less formal, as I often do. Today I read the news about George A. Romero passing away. I had to do a double take to make sure it was the guy I thought t was and sure enough the grandfather of the zombie horror genre was dead. At first I also had to double check the date to make sure I wasn’t reading an old article. I hadn’t heard of him passing away previously, but there have been a few times where I was out of the loop enough I didn’t learn of a celebrity dying until months, or in a couple of cases years later. I chalk this up to not really following celebrity gossip and news that much. Once I confirmed that he did in fact die, it was the man I thought it was, and I had the correct date he wasn’t already gone and I just found out, I decided to write down on a pad that I would talk about my thoughts on the next podcast. Considering I aim to do one a week and the next one isn’t for another week, I decided to just go ahead and write down my thoughts as of right now, then if I decide to dig deeper next week, I shall do so.

The first thing I am going to say is it is rare for me to have a favorite writer, director, songwriter, band, etc., I tend not to pick favorites and honestly I don’t follow directors or even writers that closely. That being said, I will say that his original trilogy, if you can call it that, are some of my favorite zombie movies of all time. Of course, I need to get this out there, I am not the biggest fan of the zombie movie genre to begin with. I don’t hate zombie movies, I actually enjoy them quite a bit, however, I feel we just have too many out there and I have seen too many to really get excited. I was burned out on zombie movies long before I began getting fatigue keeping up with superhero flicks.

One thing you might discover about this blog is I rarely make my articles about the thing or topic I am writing about, as it is a personal blog I tend to make it about my personal experiences instead. So I am going to share some of my own memories of the Living Dead series of films. This is my best method to pay tribute to a man whose works I do revere without repeating the same life recap the other 50,000+ blogs on the internet are going to say.

My earliest experiences are when I was about seven or eight years old. I was watching the Tim Burton comedy classic Beetlejuice and there is a scene where one of the main characters says “are you like night of the living dead underthere” or something to that extent. I didn’t exactly know what she was referring to for a while. A couple of years later I was sitting in my room, I had this old black and white UHF/VHF dial TV with rabbit ears in my bedroom, and I used to stay up late at night on weekends watching the horror movies that came on. One night they were playing Return of the Living Dead. I instantly fell in love with this movie. It also referenced Night of the Living Dead so now I had two films reference a movie really increasing my interest. A about two years later I rented a copy of the Thriller music video cassette from our local video store and watched the Michael Jackson classic music video for the first time and now I was rally curious, I just had to see this zombie movie everyone kept talking about.

My first viewing. It was not on the black and white tv from my youth. It was not a VHS or even DVD rental from a store. It was one random night I was watching my then favorite TV channel G4, which is long gone now. They were showing Night of the Living Dead. I had already seen the Dawn of the Dead remake by this point but I hadn’t read up on them to learn they were connected yet. So I decided why not, I sat there and watched the whole movie, commercials and all. I was really amazed and for the first time I really regretted not seeing it earlier in my life.

A couple of years later I finally got a chance to watch Day of the Dead on good old Netflix. Again I was impressed and thought man I need to see more of these Romero zombie movies. So about a year ago I set out to add them all to my DVD collection. Unfortunately that is where the direct connections end. See I made it a point not to watch any of them until I had them all. I do currently own the three originals, but I still want to get all of his later zombie movies to see how they all stack up. That being said, I have the original Dawn of the Dead on DVD but haven’t gotten around to watching it at this time. I suppose I could just make a case that since I have already seen the other two in that “trilogy” I could go a head and just get it over with. I could also make a case that it doesn’t connect to the remakes or modern films in the series anyways, which I have all but two, I think. So maybe sometime in the near future I might try to make it a point to go back and actually watch the original Dawn of the Dead.

I am probably going to anger some die hard fans, should they stumble upon this, by stating this, I like the movies, but I prefer the Return of the Living Dead franchise more. I guess you could say I like horror comedy more than straight horror, but I don’t think that is it. I just think I liked the campy 80’s tone mixed with the imminent doom they presented verses the world he created where it was the end of the world, but somehow it just didn’t quite end.

When Wes Craven died I didn’t go back and revisit Last House on the Left, People Under the Stairs or any of his other movies that didn’t have Elm Street in the title. However with the passing of Romero in a way it just makes me wish I had seen more of his works when it would have mattered to him. I can’t say I will miss him, or his works, I can say instead that I appreciate what he did for the horror genre, and zombies in particular, and will say that I look forward to reading, hopefully, well-written articles looking back on his life, and career. I also am now thinking I have run out of excuses to keep putting off watching the 1970’s Dawn of the Dead, which I do have on DVD.

New Castlevania series on Netflix

I haven’t had a chance to watch it yet, but I have been checking out reviews and from what I gather, this might be something worth checking out. I am thinking I might give it a watch sometime this weekend and see what I think of it from there.

I am not a big fan of anime or anime style shows, so I don’t know how I will respond to this. However, I have heard it is similar in ways to Symphony of the Night, which is one of my favorite Castlevania games so that sounds promising.

I haven’t really considered why it has taken this long to get a proper Castlevania animated show off the ground. Personally, I would much rather it be live-action than animated, but I guess there might have been budget issues to consider?

I haven’t been returning to Netflix that often for the classic shows I used to watch, since they are taking them away faster than adding new ones it seems. I haven’t given any of their original shows an honest go either. I did force myself to sit through the entire first episode of Fuller House just to check it out. I had nothing good to say about that so I left it alone and moved on.

I am starting to get to the point where I accept that Netflix is no longer the service I signed up for an is now just an HBO clone, which to that end, I am tempted to cancel Netflix and just check out HBO Now, at least then I can see True Blood and Game Of Thrones and see what all the fuss is about, plus maybe get full episodes of Last Week Tonight without having to wait around for Youtube to upload pieces of the show.

Now that I think about it, I am not even paying for Netflix anyways, I am sharing my parents plan so I should look into getting HBO Now anyways. Well I am going to check out this Castlevania series and hope for the best.

Enter the darkness, if you dare

This very website has often had trouble finding it’s voice. The primary author, however, has not. The slogan, To Organize Chaos, does little justice to what is actually intended. So here is a new layout of what to expect if you dare to venture into The Spiders Lair.

First, take a second to let that name sink in. At the very center of every spider-web (Spiders lair) is a blood-sucking monster. They hide in the darkness waiting to snag a bite of blood to enjoy. The savory taste of the salty fluid that keeps most biological creatures alive is the very substance every spider craves. Another popular blood sucking monster that lives in the dark is the vampire. If you read this blog, or know the author and his friends, you would come to realize vampires are often going to come up, one way or another. From Buffy to Dracula to Castlevania, vampires are a big part of the dark culture this site intends to cover.

Sure, as a gamer, I talk about video games, and so do my friends, but what really excites me, what really gets my blood going is talking about those things that hide in the shadows. The Christian lore teaches that the darkness is the enemy. The devil, the demons, the evil spirits all make their home in the darkest places, and that the darkest corners of a man’s soul are where the worst crimes imaginable take place. No matter which side of the war you fall, fighting for the light or slave to the dark master, know your enemy is something that comes to mind.

To some, studying the evil works of the Prince of Darkness himself is akin to opening a doorway to hell, or opening a door inviting evil into your home. To others, if we are instructed to fight a spiritual war, it’s a way of knowing your enemy so you know what you are dealing with. For others, it’s all innocent and just stories. Take for example, sitting around a campfire telling scary stories. Who hasn’t heard the tale of the escaped convict with a bloody hook told to all hormonal teenagers to scare them away from per-maritial sexual relations. Now, the Bible itself, the most revered weapon, the sword in the spiritual war, itself a book laced with graphic depictions of violence, kidnapping, rape, incest, and demon possession. If the Bible is to be taken literally and one follows logically that just reading stories of sinful acts is enough to “cause” a person to sin in their heart, then the reading the Bible itself would be a sin. No, the Bible tells stories of sinners who rebel against the Word of God as a precautionary tale. No different than the cautionary tales contained within the typical slasher film. Sure the movies are often laced with detailed illustrations of sexual acts, often bare breasted woman running amok as the serial killer slices their naked bodies to bloody rags. However, the bible itself contains detail stories of sexual acts that often result in the death, dismemberment or even damnation of the participants, the moral of the story is, if you don’t know what sin is, how are you to avoid it? Another way to look at it is, just hearing a story of how a particular crime occurred is not a sin, so neither is the reenactment of said acts via Hollywood movie magic. Even many who would condemn or judge a man who watches a horror movie would make no fuss about a person reading a classic novel or work of literature that also contains graphic scenes.

This is not intended to be a sermon, not everyone ascribes to the Christian ethic, even if the Gothic portrayal of Christianity is the basis for many horror movies.

Logic does not always matter to a person with a conviction. Thus I share this, the Bible does say judge not lest ye be judged, and leave that out there where it is. The rest of this website will be devoted entirely to covering those topics that spark the interest of the author, and hopefully, his readers. To quote Dr. Dre “Journey into the mind of a maniac, doomed to be a killer since I came out the nutsack.” In other words, enter the mind of a man who is not afraid to investigate the darker side of humanity, if you dare. The site is not going to glorify or glamorize violence, evil, or criminal activity, however, there are works of fiction and art, including movies and video games, that are covered and discussed that fall into those categories, either as tales of warning what not to do, or just as examples of how the dark forces operate as a way to better under stand the enemy within.

Here are some of the movies, video games, music, books, comic books, and board games that delve into the darkness that this site will cover.

Movies

  • A Nightmare on Elm Street
  • Friday the 13th
  • Hellraiser
  • Gremlins
  • Ghostbusters
  • Lord of the Rings
  • Star Wars
  • Pirates of the Caribbean
  • Candyman
  • Sleepaway Camp
  • Children of the Corn
  • Child’s Play
  • Silent Night, Deadly Night
  • Prom Night
  • The Texas Chainsaw Massacre
  • Last House on the Left
  • The Fifth Element

Books

  • Dracula
  • Frankenstein
  • Homer
  • Beowolf
  • To Kill A Mockingbird
  • Sword of Shannara
  • Stephen King thrillers

Music

  • Marilyn Manson
  • N.W.A
  • Dr. Dre
  • Ice Cube
  • Snoop Dogg
  • RBX
  • The Dogg Pound
  • Garbage
  • Metallica
  • Megadeth
  • Alice Cooper
  • Rob Zombie
  • KISS
  • 2Pac
  • Wu Tang Clan

Video Games

  • Mortal Kombat
  • Castlevania
  • Doom
  • Ghosts N Goblins
  • Haunted House
  • Legend of Zelda
  • Final Fantasy
  • Silent Hill
  • Resident Evil
  • Alone in the Dark
  • Nightmare Creatures
  • Altered Beast
  • Golden Axe
  • Might and Magic
  • Wizards and Warriors
  • Pokemon (Pocket Monsters)

Comic Books

  • Dawn
  • Cry For Dawn
  • X-Men
  • Justice League of America
  • The Avengers
  • Spider-Man
  • The Punisher
  • Daredevil
  • The Fantastic Four
  • Batman
  • Vengeance of Vampirella
  • Buffy the Vampire Slayer
  • Mortal Kombat
  • Scooby Doo
  • Tales From the Crypt

Board Games/Card Games/Tabletop Games

  • Dungeons and Dragons
  • Advanced Dungeons and Dragons
  • Magic: The Gathering
  • Hunter: The Reckoning
  • Clue
  • Spellfire
  • Buffy the Vampire Slayer

So there you have, if you wanted to know what direction this site is going, the best way to explain it is the intention is to explore the darker things of humanity, through the lens of media, and develop a sense of social commentary through this exploration. Enjoy, and beware what you discover.