What’s New to YouTube?- A Review Show!

Welcome back to another article here at The Spiders Lair, Where Chaos Resides. This time I am happy to announce I am starting a new video series called “What’s New to YouTube” where I will talk about newer, smaller channels.

Each week I will shoot out a Tweet and Facebook post inviting YouTube Content Creators to recommend their channel for review. I will select one channel based on the following criteria.

1. The show must be active

The creator needs to be making new videos semi-regularly, once a month will do. They must also be actively promoting the channel. This can be social media, podcasts, other means. As long as the creator is trying to grow his or her respective show I will check it out.

2. It must be a small audience.

The purpose of the show is to help get exposure to new, smaller channels while creating quality content that other YouTubers will enjoy. The channel cannot have more than 100 subscribers.

3. It must be relatively new.

This is subjective but if the channel was created in the last year and is actively growing it is eligible. If the channel was created some time ago and only posts sporadic content on rare occasions it is not actively trying to grow and is not eligible.

4. There needs to be some proof of commitment.

This is also subjective but I am using 20 videos as a minimum threshold. The most current video cannot be older than a month or else it won’t be considered active.

5. It has to be quality content.

This is very subjective but Let’s Eat, prank shows, conspiracy theorists, hate speech, personal diary style vlogs etc., will most likely not make the cut. But don’t hold back submit a channel and see if it gets featured.

I will feature one channel a week. I will look at the content, I will reach out to the creator on social media and I will link back to the channel and creator’s social media once the video is live on my channel. The creator is free to share the video and discuss it in their own content; blog, podcast etc., but they are not allowed to upload it to their channel or spam the comments of the video.

I am trying to make a series of magazine/TV style videos similar to Entertainment Tonight or TV Guide that brings attention to quality, but unknown, content.

I have a companion show called What’s Streaming. There is absolutely NO criteria for this show, I decide which videos or channels to feature.

What’s New to YouTube will ONLY review YouTube channels. I am not interested in Twitch or similar content. What’s Streaming can be anything, from YouTube, Twitch or podcasts to Hulu, Netflix and the like.

If you want to submit your channel for review on this exciting new series feel free to respond to one of the social media posts on Twitter @ phatrat1982 or Facebook @ thespiderslairblog. As always, Stay Cool.

Are review shows taking over YouTube?

The first time I discovered YouTube it was to check out a friends short film he had posted to the site. It was a very no-budget 80’s b-action movie rip off. The acting was bad, the story was very basic and the special effects didn’t really exist. But it was a very interesting concept. Broadcast yourself. As a budding filmmaker I was excited for the potential. A world where indie and low budget filmmakers could showcase their works to the world. I immediately grabbed my camera, a group of friends and set out to produce a talk show where we would discuss comic books, video games and movies. I set up a desk, lights, microphones the whole nine yards. I was expecting to utilize this new technology to really capture that dream of alternative, user created content that would lower the barrier of entry.

I first started to notice things weren’t quite going as I pictured when I noticed the insanely popular viral video of two dorks lip syncing to the Mortal Kombat theme son g. While the short video was entertaining, at least good for a chuckle. I was shocked to learn the two who uploaded the video shot to super stardom almost over night. Of course I am referring to Smosh. It soon became a race to be the next viral super star and thus the race to the bottom began. There was that Numa Numa video, Soldier Boy Tell Em, and a host of other copy cats. I hadn’t lost hope yet, I still felt there was a budding film making industry just lying in wait.

Then YouTube was bought out by Google and everything changed. Suddenly the need to get millions of hits in order to attract ad dollars meant that the need to make quality videos that required true creativity was replaced by quick videos to cash in. Sure some decent productions managed to slip through the cracks, but even those had to rely on a gimmick. Shows like Angry Video Game Nerd, Pat the NES Punk and Nostalgia Critic, among dozens of others, quickly resonated with audiences.

Partly cashing in on nostalgia and partly adapting to the changing audience, review shows quickly became the prominent format for the quality film makers to get their product out there. Some, such as the aforementioned Angry Video Game Nerd, would slip in their more creative short films onto their channels as specials or filler to tide their audiences over while they worked on other projects. Others, like Pat the NES Punk embraced the narrative format from the beginning finding creative ways to mask his reviews as miniature episodes of an extended parody show that focused on a character that was obsessed with Nintendo games. Before too long the AVGN videos would also weave narratives and production values into his videos with story lines that spanned entire seasons at times. This continued into the Board James series, a show that reviewed old board games.

In the years following review shows have become a powerful force vying for the attention of the fickle YouTube audience. New short forms of videos have sprung up such as vlogs, unboxing videos and long form videos exist in the form of Let’s Play’s. The haven for budding film students to showcase their creative works was quickly supplanted by culture of becoming the next big viral video.

This presents a problem for the budding filmmakers. Some of these review shows formed out of the need for the film makers to hone their craft of writing narrative videos and editing them into coherent stories while masking them as review shows in order to find an audience. Some of the creators, such as James Rolfe himself, have stated their original desires were to be actual filmmakers and they originally used YouTube as a means to showcase their works. Many of them even uploaded videos outside of YouTube before they realized it was the platform of choice. But has doing so stifled their creativity shoehorning them into roles they might otherwise have been able to break out of had they not fallen into the trap?

The complexities of YouTube’s ever changing advertising policies means that content creators who are in it for the money have to constantly be adapting to what the advertising giant requires. Google makes all of their money off ads and in recent months they have come under fire from advertisers to take a stronger stance on content. This, in turn, has forced the content creators to again adapt their videos to the changing landscape. Many of the review shows do have hints of great, very creative TV shows hidden within them. The trouble is how does a creator, such as Rolfe or his contemporaries, break the mold and release content that doesn’t rely on them simultaneously reviewing a product most don’t even remember that fondly? Even when you look at the AVGN videos, the best videos are the ones where the review takes a back seat to a more compelling narrative story. Perhaps the only way to make great quality videos on YouTube is to build an audience doing review shows before slowing moving onto other types of content?

YouTube Review: Techmoan

Techmoan is a Youtube channel run by a British man who only goes by the name Mat. The show mainly focuses on reviewing old audio/video equipment and HiFi stereo components, usually from the 1970 and on. In the videos the host demonstrates the different pieces of technology. He then discusses how he acquired the individual item before taking it apart and showing off the individual components. Sometimes the videos lack the break down and instead focus on showcasing the different technologies. For example he has demonstrated videos that show the differences between content contained on pre-recorded cassettes, both in the audio cassette format as well as VHS. Sometimes he picks a single component or device and reviews it.

The series quality ranges from episodes that look like they could have been aired on public access TV to those that have a professional vibe similar to what would have been shown on a Discovery Channel or TechTV sort of program. The topics are usually well researched with the host providing a bit of background information on the item or items he is reviewing. Since he only reviews machines from his personal collection he often reminds his viewers he needs help in seeking out the items he wishes to review. In this aspect he can come off as asking for donations from time to time. It’s not entirely a bad thing, a lot of channels on YouTube do take user donations. The turn off is how he sometimes makes it sound like it is the responsibility of his viewers to help him acquire the devices he intends to review. If it were a commercial run Television production he would probably have sponsors help pay for these portions. However, since the show is focuses mostly on reviewing older and out dated technology, it’s unlikely the tech companies would consider his reviews valuable marketing for their current business products.

The reviewer has a very relaxing tone to his voice. He conducts his reviews in a very matter-of-fact method. This is one of his strengths as it allows him to shy away from over the top antics as some review shows on YouTube rely too heavily on. The reviews range in length depending on the topic. Generally speaking the videos tend to be thorough with plenty of background information in addition to the technological info that tech fans would enjoy. The videos are more informative than entertaining, however. This isn’t a bad thing it just might limit the audience to those who prefer videos that are more straight forward.

The show channel does offer a decent glimpse into the history of audio/video technologies. There is one slight draw back to the series. As the reviewer is based in the United Kingdom, his videos tend to have a very British slant. This can be interesting when discussing technology that was more popular in the U.K than in the United States, for instance. However it can be limiting when it comes to reviewing products that either had more success in the US or didn’t exist in the U.K. at all. For example he reviewed CED Discs which were a lot more popular in the United States so his exposure was limited. Also since his reviews typically cover PAL products he tends to have an emphasis on PAL signals which might be confusing to some residents in the US. This isn’t necessarily a negative of the show. After all he does a great job explaining the limitations when they do arrive. Yet it still has the potential to limit the audience or at the very least the enjoyment of those who are not as versed in the U.K. region.

Summary: Techmoan offers reviews of different technologies mostly from audio/video sectors. He often digs into the history of the individual technology he is reviewing while breaking down the items to demonstrate how they function, or how they were intended to in the case of items he was unable to repair. The host has a sort of dry personality that might not appeal to some foreign viewers, especially those in the US that are more used to the flashy reviewers who rely heavily on satire and over the top antics for their shows. As such the audience is limited.

The show has decent production values. It’s well researched with good lighting, editing and transitions. The draw backs include the hosts British sensibilities, his tendency to drone on, as well as having some times limited scope when it comes to items that were more popular in the United States. He does often admit to his shortcomings. The show comes off as more informative than entertaining which might be a turn off to some viewers.

Rating: 3.5 stars.

Youtube Review: Cracked After Hours

Michael Swaim, Soren Bowie, Daniel O’Brien and Katie Willert co-host a comedy variety show on YouTube via the Cracked.Com network.

The show centers on four co-workers sitting around a table, typically in a diner, discussing different aspects of popular culture. The individuals each portray a different character type. Soren is the rugged, handsome leading man type, Daniel is the nerdy, unsure of himself social anxiety OCD type. Micheal plays the cool but clueless character who is often impervious to other people’s feelings with Katie filling out the roster as the chick. She sometimes plays the feminist, others she plays the typical girl in a guy group. Most often she is used as fodder for the table to crack jokes as her expense.

Each character supplies a topic of discussion from one episode to the next, then they either enthusiastically or begrudgingly (depending on the topic) discuss the topic at hand. Some episodes discuss what-if scenarios, while others ponder the real-world ramifications the actions of a certain film would have if the rules of society applied.

Each episode is mostly self-contained. Although references do occur from time to time, they often happen in the form of quick flash backs, typically call backs to a previous joke, such as Katie’s changing hair styles or the waitress reaction to the group’s orders.

The jokes often rely on a combination of the characters reactions to the topic as well as satirical references to the topic. A character might behave with “nerd rage” if the topic disproves a popular myth about a particular pop icon that individual character held dear. An example was in the episode where they try to prove Batman is terrible at his job.

There have been rare occasions where the setting will move outside the diner. Some other locations have been camp sights on the side of the road or when the diner burned down they had to move to a new diner and the characters didn’t even notice for several episodes.

The topics are varied enough to keep the viewer coming back. Some episodes will center on a comic book icon or an animated character, such as the Simpsons. While other episodes will discuss the issues of a certain sitcom, or theme of sitcoms as in the episode that breaks down the fatherless sitcoms of the 1980’s.

The show is written by a team of comedy sketch writers who work for the website, Cracked.com. The characters are also featured in other video content on the show. The main “host” Daniel O’Brian is the head of video on the website, taking on a larger role in other shows the team produces.

The production values are high. The sets look professionally built and well lit. The extras are professional in their takes. The hosts deliver their lines as believable characters in the world they inhabit. The acting is probably the only down fall of the series. The characters are more or less caricatures of the personalities the individuals exhibit elsewhere on the channel. When they do show emotion it is often over the top. While this is clearly done for comedic affect, it can become repetitive at times. The actors have demonstrated in other videos they have a limited range so it’s quite possible the episodes are written to their strengths. All in all it’s a fairly entertaining series with short episodes that often provide a brief distraction from the monotonous while also providing alternative perspectives on popular tropes in Hollywood.

 

Summary: The series combines aspects of Seinfeld with a group of friends sitting around a diner talking about random topics. The comedy relies heavily on the way the characters react to what is being said rather than the delivery of the jokes. The series is well written and professionally produced. The show should appeal to those who are fans of films and television that want to get a nice break from the norm with a entertaining and often humorous look at  films and TV shows.

The over acting can be a distraction at times depending on the episode. The series can also rely on slapstick comedy which is hard to pull off when the characters are confined to their seats. These are minimal nitpicks rather than true flaws, however they could be potential negatives to some individuals. The comedy is typically good while the shows topics are usually varied enough to remain mostly fresh.

Rating: 4.5 stars.

 

YouTube Review: FilmmakerIQ

John P. Hess hosts a series of film-school videos that cover a range of topics from the artistic to the technical with histories abounding.

FilmmakerIQ breaks down various aspects of film making and presents them in short lessons for the budding filmmaker, or film enthusiast. The videos often pick a single topic. Sometimes they topics will be technical in nature, such as the history of aspect ratios. Others will be artistic in nature describing a particular technique in detail with illustrations and examples from popular films.

The host of the show presents the topic in a very soothing, professor tone. He uses chalk board animations and sound effects to create the feel of being in a film class with a knowledgeable professor at the helm.

The videos offer great insights into both the history and the practical side of film making. Often times the videos delve into the history of the subject providing examples of the individuals who developed each technique along the way. He even includes examples of famous films from the period to demonstrate whatever principal it is he is discussing.

The production values are quite professional. The videos are well written, well lit and the host often uses props and costumes to accentuate the theme of the video. In terms of quality of content, the videos are not as exhaustive as taking an actual film course or a full-fledged documentary. However they are indeed quite informative. The average video length is over twenty minutes, plenty of time to dig into the history of the topic with solid examples to truly illustrate what is being discussed.

The channel also has a full-fledged website, www.filmmakeriq.com where they offer film courses, critiques, and plenty of advice for budding filmmakers.

Summary: FilmmakerIQ provides easy to digest lessons, tips, and historical perspectives on the aspiring filmmaker or film enthusiast. The host has a clear passion for the content using props, costumes, animations and other effects to provide engaging videos that are both entertaining and informative on the subject. Some videos go into details on the scientific and technical explanations while others take a look at artistic theory and all videos demonstrate knowledge of the subject with clear examples.

 

Rating: 5 stars.

YouTube Review: TodayIFoundOut

Simon Whistler hosts a well-written ‘edutainment’ web series called TodayIFoundOut.

The channel uploads a new video daily. The videos are often brief little micro documentaries on a particular topic. They are well-researched by a team of highly educated writers who also operate a website by the same name. Whistler also hosts other web series on YouTube, but this is really all about the TodayIFoundOut series.

Currently having over 1 million subscribers with 157.4 million views, the channel reaches a vast audience hungry for snippets of interesting factoids. The videos are hyper focuses, typically spending a few minutes on a single topic. Topics range from historical tidbits, such as a video explaining the origins and complexities of the Electoral Collage, to just weird little facts about strange observances, such as their video on the origins of the phrase “Pee like a race horse.”

The channel provides a nice little daily dose of trivia for the intellectual or intellectually curious viewer in today’s busy world. While Whistler appears to be the chief host, he isn’t the sole host of videos. Another fellow by the name of Daven Hiskey, who also writes for the website, does make occasional appearances in the videos. However it is Whistler who is billed as the Host and he is the topic of discussion.

Whister himself offers a very soothing voice when doing his videos. The tone is both informative and entertaining, hence the reason they bill their show as edutainment. The writers are all well-education, many having advanced degrees in various fields of study. Whistler himself also hosts other YouTube channels, so he is no stranger to standing in front of a camera and talking to an audience.

The channel’s videos tend to have fairly broad appeal. Viewers of all ages should find the topics discussed interesting. The videos are typically short, which is fairly common of the more popular videos on YouTube. They are produced daily with Whistler standing in front of a green screen with animations, file photos and other videos playing in the background to accent the topics. Anyone looking for a channel to subscribe to that offers a quick little relaxing break from the norms should check out TodayIFoundOut on YouTube.

The videos tend to have fairly high quality production values. They are well-written, well lit, and employ the use of advanced editing techniques including animated lower thirds. The videos could easily be strung together into a 30-minute Discovery Channel or PBS style show inter cut with voice overs and transitional segments and the viewer would be none the wiser. The videos are highly informative, fairly entertaining, and extremely creative. The host is pleasing to listen to while not being too distracting. The sound editing is also top notch. The series is well-produced, anyone with access to YouTube should be sure to check out their channel. The motto, Feed Your Brain, is quite fitting.

Summary: This web series is the pinnacle of short-form entertainment. It’s production values could be mistaken for a network TV series. The writing is excellent. With new videos, each in typically short form, usually under 10 minutes, they easily fit the bill of today’s YouTube audience.

Rating: 5 stars

The rise of digital content production

The world is in the midst of a digital revolution. For the past twenty years most popular forms of entertainment have been driven to digital distribution. Radio has been replaced by services such as Spotify or Pandora. Talk radio was given way to the Podcast. Newspapers and magazines are being replaced by Blogs. Even television and film has shifted from theatrical and broadcast distribution as the only method of delivery. The medium itself does not really matter. A well-written editorial piece published for a weblog shouldn’t be any different to the readers than if the same article were published in a print magazine. If digital distribution channels have begun to supersede traditional methods, why hasn’t the digital content producer become equal to the content producers who rely on more traditional, restrictive mediums?

There shouldn’t be any difference between a filmmaker, television producer or a YouTube content creator. At the end of the day, the content is all that matters, the distribution method is just that, a way to consume the content. The writer, photographer, and editor who producers a web series uses the same skills as a team of producers working on a television production all doing the same jobs. What YouTube creators specifically do is create digital content that is consumed using the internet. While a lot of content on YouTube could be considered social media to some extent, there is a host of quality content that itself could easily be mistaken for a medium budget television production.

High production values, good writing, quality editing, and compelling stories are all what makes for a good production. The end product could be streamed via YouTube, in the case of something like the Angry Video Game Nerd. However those same videos are also available for purchase on DVD (and Blu Ray in some cases) where they can be viewed on a more traditional screen in a more familiar setting. Sitting down with a DVD set of AVGN DVD’s, a bag of popcorn and your favorite soda should be no different than having the same experience with a run through of Buffy the Vampire Slayer DVD’s. The only difference is in the actual content itself. Even James Rolfe, the “Nerd” himself has stated his goal was to be a filmmaker. In fact he achieved that goal just a few years ago when he released his feature length theatrical debut in the form of “The Angry Video Game Nerd: The Movie.” I had the opportunity to interview Rolfe during the production phase a few years ago for my college newspaper. Sadly the story wasn’t deemed “local” enough for the editors and it was canned. The point remains the same. Rolfe did not become a filmmaker the day his movie was released to audiences in limited theatrical runs. He was a filmmaker the first time he edited together a series of shots.

Visit FilmmakerIQ and take a trip back in time to look at the history of cinema. The earliest films were little more than just “animated photographs” in essence. They would become more complex over the years as audiences became more invested in the medium. Then Television, or the small screen, threatened the Hollywood system. Television production had it’s start in a similar way as movies. The earliest movies were just experiments. They didn’t become successful until filmmakers learned to create a narrative. Once they discovered to edit shots together they were able to adapt whole plays into motion pictures. Hence why we call the script of a film the screen play. Television got it’s beginnings in radio. The earliest TV stars were just radio performers standing on a stage doing their acts in front of a camera. Not much different than the earliest Angry Nerd videos, or even much of the content that is produced on YouTube these days if you get down to it.

Whether a content creator releases their product via television to audiences over FCC regulated airwaves, projected onto a silver screen in a large auditorium, or streamed over WiFi networks via YouTube, the point is the content is all that matters. Digital content producers deserve the same respect as filmmakers and television producers. In fact many deserve greater respect as they are often one-person shows. When a quality, professionally produced product can be written, shot, edited and dubbed by a single person, or a team of two in some cases, that’s even more impressive than a shoddy production using the best equipment and a team of professionally trained writers, editors, directors and photographers.

 

A sneak peak at an upcoming Game Sack episode: Sega Game Gear

Game Sack’s Joe and Dave ‘gearing up’ to tackle the Sega Game Gear in an upcoming episode of their popular review show.

 

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Here you see the self-proclaimed Sega fanboy battling it out with the Nintendo fanboy over the merits of the machine that took on Nintendo’s monopoly in the handheld gaming market in the early 90’s.

 

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This screen shot was taken with the duo’s recently RGB modified Game Gear console they will be using to do their review in the upcoming episode, set to air Oct. 1 on their channel.

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The Sega Game Gear was a full-color, 8-bit gaming device based on Sega’s aging Sega Master System technology. It was released to compete directly with the ultra-successful Nintendo Game Boy, a device whose legacy continues to this day.

“We were finally able to procure a Game Gear modified with an RGB video output so we could record the gameplay without using an emulator.” said Joe Redifer, co-host.

“People really enjoy these dedicated episodes and this one was really fun to make.” he added.

The episode is scheduled to air on October 1. Visit their channel for more console reviews, game reviews and skits. The duo mixes humor with high production values to create entertaining reflections on the gaming culture of the 80’s and 90’s.

Also be sure to check The Spiders Lair for more digital media coverage as we try to bring you all of the exciting news coverage of the world of digital content.

New theme live, new features on the way

First, I updated the theme. That was long over due. I am not entirely done customizing it to fit the tone and mood of the website, so be prepared for more changes soon.

I also added a couple of social media buttons. As of right now all I have set up is a Facebook page and a Twitter account. I don’t know if I will be setting up any other social media accounts for the site or not. I might add a few additional share buttons but I haven’t gotten around to that just yet.

The Youtube channel is getting closer to launching. I don’t have any firm plans on what video content is going to be on the channel, just throwing around a few ideas. I want to make sure if I do any video content that it’s worth watching while also easy enough to produce so to not interfere with my other projects. I do have a full-time job that takes up a lot of my time.

I am thinking about doing two podcasts instead of just the one. The primary podcast is going to continue being the casual podcast where I sit and play a video game and leisurely talk into the microphone each week. I am working on getting a second podcast together that will shoot for a once a month schedule. This one will be more “polished” with a few guests and a video feed to accompany the audio. This one is going to take me a little longer to get up and running. I have an idea what I want to do, I am just working on getting a few regular guests that are willing to sit in and make it happen. I have at least a couple of people willing to do it and a few others I am trying to get on board.

I am also branching out in the types of articles I write. I don’t want to be a theme blog where the theme determines what I write about, I want it to reach an audience who appreciates the tone of my writing and the topics I write about. I don’t want to have a site dedicated to a specific theme, topic, or genre that forces my hand while limiting my creativity. And yes, that does mean politics are certainly not off limits.

Notice how the site is, mostly, devoid of photos? Part of that is I have no interest in stealing photos from other websites or photographers. I might occasionally download a public domain photo or something that is easily under the fair use category, but for the most part I want to ensure any photos I run on this site belong to me, either photos I took with my own camera, created myself using a photo editing software, or photos a contributor directly provides to the site.

Music reviews and movie reviews are coming. I want to do this, I have a lot of thoughts on a lot of different audio recordings that I think I need to get written down. Movie reviews are a little harder to get motivated to write. I don’t want to do anything that is going to bring any copyright notices against the site. As such I am working on finding out how to get licensed clips directly from studios for the purpose of reviews. I know you can do this, when I worked at the TV station we were able to do that so I know there are services out there. I remember a previous website I ran I had a paid subscription to a file video service so I know they are out there. I will look into what I need. I hate it when people just use other people’s IP without permission and then cry fair use when their ability to make money off other people’s works gets prohibited. It’s always better to just get permission first and then you have nothing to worry about.

That is the latest site update. Be sure to check back often and tell all your friends to share this website, follow us on Twitter and Like us on Facebook.

Confessions of a ‘Millennial’: What it means to be a part of the most hated generation of our time.

There is much confusion abounding about what it means to be a “Millennial,” I just wanted to clear a few things up. To some it’s a pejorative, an insult, to others it’s merely a misunderstood “generation” and to marketers in the media its nothing but a demographic that they think they understand. I can tell you one thing, weather you consider yourself to be a part of the so-called millennial generation or one of the generations that look down upon them, there is something you need to know, it’s all a figment of your imagination.

Before they were calling us millennials they called us the MTV generation. Demographers define the “millennial” generation as those who were coming of age during the year 2000, as in anyone who was either a teenager or a young adult. The typical, most widely accepted date line is anyone born between 1980 and 1995. I guess I fall smack in the middle of that generation. I knew I wasn’t Gen-X, that’s my mom’s generation and it’s kind of hard to be in the same generation as your parents, being the “next generation” of their DNA and all that.

What does it actually mean to be a “Millennial?” Well nothing really, it’s a made up word used by members of the so-called “main stream media” and marketers as a way to define those young people currently between the ages of 22 and 37 or somewhere in that age range. The stereotypical millennial is some super entitled hipster that has a smart phone permanently attached to their hand with their face planted firmly into the abstract cloud based world-wide-web of information. Often described as lazy, entitled, too into their technology and so many other negative’s I don’t have the energy to go after them all. But the name millennial itself, is so negative I know personally people in my generation, friends and family who are millennials, or at least are in the generation that is being talked about, who distance themselves from it, or use it themselves to talk down to the “kids coming up” I guess, without realizing the kids born in the year 2000, they can’t be millennials, they’re still in high school.

Here are my confessions as a so-called Millennial. Do I wear the name like a badge of honor, sure why not, the so-called mainstream media gets just about everything about us so far wrong that even other so-called millennials can’t agree on what it means to be one. Let me put it like this, many of the actual millennials I now who are in denial, that say things like we’re all narcissistic, or “they’re” all narcissistic, are usually posting pictures of their kids doing the most mundane thing as some accomplishment to social media while simultaneously knocking other so-called “millennials” for doing the exact same thing. Well sure hypocrisy is rampant among any generation, just look at the “greatest” generation and their baby-boomer children. Actually don’t look that closely because you might discover that the “greatest” generation, wasn’t actually that great, and you might be further shocked to learn that the MTV generation, as we used to be called before it was cool to define us by the Y2K bug that we supposedly caused. Oh right I guess I lost my train of thought, we tend to do that being that we’re all OCD with ADHD and whatnot. I guess I should point out that if you compare the accomplishments of the baby boomers to our generation, well the baby boomers end up looking like a bunch of bitter old farts barking at their computers trash talking those silly millennials and their stupid little gadgets.

Okay maybe that was a little harsh, I have some good friends that are baby boomers, but even they often have not only negative stereotypes of our generation, including false assumptions of me personally. Needless to say they aren’t all that bad, but you know what, neither are we.

So what does a so-called Millennial do with his or her day? The same thing the baby boomers did and the Generation X-ers that spawned us, we live our lives. We go to school. We start families. We build bridges and start businesses, invent new technologies, replace outdated systems with new and improved systems; you know the same thing every generation before us did. And like every generation before us, the one that came before always looks down on the one coming up. Hell we do it to the, what are we calling them now snowflakes, that are coming up behind us. Some people mix up the “snowflakes” with the millennials. In other words, nothing has changed every generation digs on the one coming up, it’s the same as those old timers who reminisce about the so-called “good old days” which is just a myth because the problems of the world have been the same since the beginning of recorded history, pick up a bible or any history book to learn about that.

Alright enough complaining so what are some things that the pollsters get wrong about millennials? I guess for starters that we’re all socialist, elitist hipsters that have OCD and are narcissistic to a fault.

I will tackle each one individually. I will start with the accusation we’re all socialists. False. Our generation has done more for capitalism than the Generation X ever did. When Gen X wanted to go to the moon they built a socialist program funded by tax payers that was used to bolster national TV ratings so capitalist advertisers could line their pockets. Okay a 50-50 split for socialism. What has our generation done? We said screw NASA and their tax payer funded military driven hidden agenda, let’s privatize space exploration with Google and Space X having REPLACED NASA’s outdated shuttle program and currently working on space tourism that is designed to be, eventually, affordable for the masses. Under the generation X/Baby boomers only a handful of government trained elitists would EVER get the “privilege” of flying into space. Under the direction of the millennial generation, our kids and our grandkids will be able to fly to a space hotel in low earth orbit thanks to capitalist investments in space. Point goes to the Millennials. I will give a point to NASA and the Boomers for at least secretly launching the internet as part of the very same socialist space program they developed to combat Russian socialism, I mean Communism.

What about we’re all elitist hipsters? Also false, about as false s you can get. The one most common complaint I hear by boomers and older gen-xers is the breakdown of country clubs, the declining membership of elitist members-only groups that require members to pay monthly dues to participate, alienating the lower-income folks, in order for the so-called elites to stick together to hold onto the way things are. Millennials as a whole tend to be less likely to join elitist members-only clubs, not because we’re not civic minded or even all anti-social, more on that later. The real reason is we tend to be more inclusive, we tend to be more welcoming to who we associate with and while racism, bigotry and other words of the like get thrown about, our generation certainly has its share of racists, on both sides, as a whole we tend to be more willing to associate with people of different backgrounds, including those of a lower economic status as ourselves, and we tend to be more willing to do our volunteer work not so much for show or through organized members-only clubs, but instead we just do it because we see a person in need and we help them out. Again that goes hand in hand with dismissing the false claim we’re all socialists, because you know we’d rather help our members of the community out ourselves than rely on government assistance. We prefer to cut out the middle man and give directly, that is why we created things like GoFundMe and Patreon, seriously proof our generation is MORE giving than the boomers and Gen-Xers.

How does GoFundMe or Patreon prove we’re more giving? Well it also proves we’re less selfish than we’re described. The Boomers especially when someone fell on hard times would give money to charities with large overhead costs that would barely do anything more than make people feel worthless for falling on hard times. With GoFundMe we cut out the middle man, if someone is struggling they create a GoFundMe and ask for a reasonable amount of money to get through their hardship, maybe it’s make a late mortgage payment to help a single mother out who lost her job, or maybe it’s to help someone who doesn’t have insurance pay for a medical bill that is insurmountable. So instead of telling that person go through the lengthy process of filling paper work applying for charities to raise the funds and waiting for bureaucrat to approve the funds, we can just give a few bucks here and there to any cause we feel worthy and the people get the money directly and use it for whatever they say they are using it for.

What about Patreon? Well another thing we Millennials did was we got tired of McDonald’s, Pepsi, Ford, AT&T, Big Tobacco, and beer companies deciding what we get to watch. We did away with the out-dated advertising driven model of TV, movies, books, video games, radio, etc., and developed what is known as social media. The very basic aspect of it is the Facebook and Twitter but it goes deeper. We have YouTube, Twitch, Netflix, Instagram, Spotify, and a host of other internet based content created BY regular people FOR the entertainment of ourselves. Some of the content, much of it in fact, is social or viral videos, normal people sharing the little moments in their lives with the wider internet. You know so whenever one of our babies or pets does something extra cute we video it and share it with the whole world, this partially explains where the accusations of narcissism comes from, however it’s really just our way of saying hey, here is a nice little distraction from the corporate advertisers telling you what you are supposed to enjoy. The way Patreon works is instead of an advertiser commissioning a director and a team of writers to develop a series, a small group of maybe two or three creative individuals goes to the internet and tells their plan for a show to those who might be interested. An example would be someone who has a vlog series (video log) where they talk about topics people are interested in. A very interesting one that I enjoy DAILY is called “Today I Found Out” where you get brief, usually less than 7 minute, video dedicated to a fun, interesting topic that gives you some basic information, usually insightful and often as much as you would get in a typical Discovery Channel program but without all the commercials and filler getting in the way of the entertainment. So Patreon is a way for a fan of the creator to donate any amount they wish, large or small, directly to the creator both as a thank you for the content and as a way of supporting their favorite programs, ensuring they stay “on the air” without having to resort to organize letter writing campaigns like the famous Star Trek deal from the 1960’s.

In addition to GoFundMe and Patreon we have a thing called crowd funding, another example would be Indie-GoGo where a film maker, author, or video game developer can announce their plans for a project and ask for donations directly from the same people who are likely to spend money on the finished project. There is another one called Kickstarter that is popular. The point is we don’t rely on the institutions of the old timers to get our entertainment or other projects; we give directly to inventors, authors, story-tellers, even musicians, instead of letting some big corporate entity take all the profit and control the message. I guess to some that makes us look socialists, but it really just makes us innovators. Another point goes to the millennials.

What about we’re all OCD, ADHD or have some other disorder like social anxiety or something else? This one can be a bit touchy but let me just keep it simple, we don’t have any greater frequency of mental health than any other generation based on any information I could find, we just live in a modern society where more information is known about things that in previous generations we didn’t know as much. I will say that yes we have all grown up with our computers and electronic devices, even more so than the Generation X-ers that basically started the computer revolution. But really all we did as take what they started and perfected it. They made the World Wide Web, we made it better. They created AOL, a corporate portal that kept the internet hidden behind a pay wall with advertisers determining what content was available, we created social media and open source platforms where the entire internet is basically free and anyone can access it openly, you know just taking their vision and making it an actual reality. Don’t get me wrong I have ancient memories of the dusty old dial up days of American Online and using Keywords to search for terms instead of using Facebook and YouTube to share web pages and videos. Memes wouldn’t even be possible without our intervention.

Sure you look at Pokémon Go and see the decline of civilization, or see something like Oculus Rift as one more way for us to stay at home and not get fresh air. But what I see is a world where we have information available to us that we can use to our advantage to not only make our own lives better, but the world a better place too. Also for those politically minded, Millennials vote in the same patterns as their parents, Baby Boomers that were conservative spawned liberal Gen X babies who rebelled against mommy and daddy, those Gen X-ers spawn conservatives who rebelled against their liberal parents, and vice versa, that’s how it works kids rebel against their parents ideals and discover their own way in life, it’s okay for them to do that this is why you kick us out of the house and tell us to get a job. Maybe we drag our feet in leaving the nest longer than previous generations but that’s because we’re often very busy using our electronic gadgets to make the world a little less scary for the next generation.  I give that point to our parents for raising us right. So maybe Generation X and Millennials are both pretty good after all. Maybe instead of spending so much time passing the blame around why don’t we just celebrate our accomplishments, enjoy the fact we live in a free society where we can say whatever we want, and just live our lives without worrying about what other people think. Am I a Millennial, you bet your ass I am, and I am not ashamed of being a part of the greatest nation on Earth, I am just glad I was born at a time when we can reach beyond our own weaknesses and connect with others that share our faults. If I didn’t have the connections I made on the internet, I might not be who I am today.